The art and tradition of working with glass is an old one. The consequences are that many more households have glass lamp shades at home as part of their interior decor. The slow penetration into homes first picked up during the Industrial Revolution at the same time when gas and electrical lighting reached our doorsteps. A very famous figure who energized the movement to buy glass lamp shades was Louis Comfort Tifany. One could say he single-handedly created the industry on which it rests.
The lamp shades are available in a dizzying array of shapes and designs. Large-scale production methods means artisan teams no longer slave to produce a trickle of products. Instead, popular and hot-selling designs can be issued at breakneck pace to reach many more homes.
The high malleability of glass is derived from the fact that glass becomes soft and flowing at high temperatures. In turn this leads to many stylistic possibilities. Controlling and shaping the glass is a profession dating back thousands of years. A large fraction of products from this profession was in items like glasses, lanterns and containers. The need to cover lightbulbs only came in the last one hundred and fifty years.
The molecular structure of glass is a blend of silicon and oxygen. In contrast to other materials, glass has no regularity in its crystal lattice. In fact, it’s molecular structure is completely disordered, giving rise to a new class of substances which are, unsurprisingly, named “glasses”. Some people point out that it’s perpeptually a liquid because of evidence that it continues to flow, seen in old church windows that are thicker at the bottom than the top. However, this is likely to be an incorrect interpretation of observations as the flowing probably occurred most when the window was initially cast.
Artisans take advantage of the malleable molten state to wring out an infinite number of shapes. For example, a glass maker takes a hollow metal rod known as a blow pipe to pick up raw glass, by alternately rolling and inflating it with his breath, the artisan can fashion a bulbous shape from something initially without form. It’s easy to make small objects like vases and cups, but takes real skill and patience to craft a large, elaborate glass lamp shade.
Such work can be improved by addition of small artistic details, for example curling of the lip for a flare effect. The artist Louis Comfort Tiffany incorporated iron rods into his works to depict intricate scenes of nature that were lit up with the stained glass panes. The staining process is aided by addition of frits of iron oxide impurities that give glass its various colors.
Such work can be improved by addition of small artistic details, for example curling of the lip for a flare effect. The artist Louis Comfort Tiffany incorporated iron rods into his works to depict intricate scenes of nature that were lit up with the stained glass panes. The staining process is aided by addition of frits of iron oxide impurities that give glass its various colors.
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